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On Tarzan Tarzan first appeared in 1912. To ponder his journey from jungle lord then to Disney boy-toy now is, as Vernon writes, to touch on "childhood, adolescence, and adulthood, especially for the male of the species; on colonialism and nationhood; on Hollywood and commerce, race and gender, sex and death, Darwin and Freud. On nature-is Tarzan friend or foe? On imagination and identity." Vernon exposes the contradictions, ambiguities, and coincidences of the Tarzan phenomenon. Tarzan is noble and savage, eternal adolescent and eternal adult, hero to immigrants and orphans but also to nativist Americans. Edgar Rice Burroughs's Tarzan story is racist, but Tarzan himself is racially slippery. Although Tarzan asserts his white superiority over savage Africans, his adventures flirt with miscegenation and engage our ongoing obsession with all things primitive. As the 2012 centennial of Tarzan's creation approaches, the ape-man's hold on us can still manifest itself in surprising ways. This entertaining study, with its rich and multilayered associations, offers a provocative model for understanding the life cycle of pop culture phenomena. Alex Vernon is an associate professor of English at Hendrix College. His books include The Eyes of Orion, Soldiers Once and Still, Arms and the Self, and Most Succinctly Bred. October 2008 ISBN 0820332054 paper • $22.95 ISBN 082033183X cloth • $59.95 256 pp. • 6 x 9 in. • 8 b&w photos
"On Tarzan is an elegantly written foray into the cultural jungle that has grown up around Tarzan." Kevin Kopelson, Professor of English at the University of Iowa and the author of Sedaris |
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